NaNoWriMo Prep 2019: A Decision is Made (Plot Structures)

I’m developing my plot structure right now. I’m trying to find the right one that works for me. I’m plot structure agnostic; I find the one to fit what I’m writing at the time.

I do follow a general three-act structure, I like a clear beginning, middle and an end. However, that’s a fundamental structure, and the plot structure has a lot more elements that need to be placed and paced within it.

So one of the structures I’ve been looking at is Blake Snyder’s 15 beat structure from Save the Cat. It’s a screenplay structure but has been adapted to literature. The beats are:

  1. Opening Image
  2. Theme Stated
  3. Set-up
  4. Catalyst
  5. Debate
  6. Break into Two
  7. B Story
  8. Fun and Games
  9. Midpoint
  10. Bad Guys Close In
  11. All Is Lost
  12. Dark Night of the Soul
  13. Break into Three
  14. Finale
  15. Final Image

I’m not going to go into the details of which each of those beat means, there are great resources online that can do so, and there’s Blake Snyder’s Save the Cat book I got as an ebook, but you can get as a book from wherever you prefer.

What I like about it is that idea of a starting and final image, and some elements can be reordered to some degree, and some cross over with other beats. You’ve got a nice bit of complexity, and it all seems pretty logical and straightforward.

Tension and peril rise from a low level to an apex point that stretches twice, you think this is as bad as it gets, and then it gets worse before you have your finale where your heroes overcome the bad guys.

This is what I’m leaning towards.

It is, however, pretty typical, and doesn’t feel particularly original, is it is used a lot. However, the structure is something in the background, yours, (or my), words will flesh this structure with feeling, passion, action and excitement.

I did consider going through several structures in this post, but I think I’ve committed to Blake Snyder’s 15 beats. Instead, once NaNoWriMo is out of the way I will play with some other structures, and utilise them in some short stories, to explore this topic.

Instead, I’m going to go back to my preparations, they’re coming on fantastically, I’m delighted to be at the point I can flesh out my plot.

El Camino, Breaking Bad, or how I learnt to hate criminals (a rant)

So I’ve recently watched El Camino, so with this post, there is a high risk of spoilers for El Camino, Better Call Saul, and Breaking Bad. If you’ve not watched them, skip this post.

Don’t feel guilty. It’s okay- your view has already been registered. The advertisers I don’t have, don’t want, and don’t care about would happy.

Okay, if you’re reading on, you don’t mind spoilers, and if it upsets you, it’s your problem, not mine.

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NaNoWriMo 2018 Prep : Plotting

So I’ve redone the plot I was working on. It’s still on the same world, but I’ve made the story more focused, more character driven, hopefully with compelling characters in the heroes and villains. The over arcing plot of the series I’m anticipating is still the same, a multi world conquest story, but we’re starting off small, and building out.

Going through a standard three act set up, with a major point in the middle of the novel, and a climatic battle at the end, so everything builds becomes bigger from start to finish, as there’s a couple of smaller conflicts earlier on. Nothing really innovative there, but I’m not going for innovative, I’m going for character moments.

Five talkie bits are planned, which hopefully I can keep quite snappy and not exposition heavy, (something I’m quite prone to), outside of those moments dialogue will be functional “Go here,” “Go there,” “Phew! that was close”, with actions and behaviours used to tell those parts of the stories. By no means is this the best way to write, it’s more if I do it, I can avoid a lot of pitfalls I fall into, (like circular dialogue that fails to end at a natural point).

So character wise on the good guy side (nominally the overall plot blurs who’s good and bad, but for the first novel it’ll be quite clear), we have a young character, an innocent caught up in something greater, and destined for something massive, then there’s the wise mentor, and a roguish mentor and defender, alongside a cast of supporting roles like military leaders, politicians, traders, and general people. A goal will be to have more dynamic and engaging secondary and tertiary characters.

On the bad guys, there’ll be a couple of military leaders who have the same goal, but sit in opposition to each other on methods, with one aiming for a domination victory, and the other a very targeted crafty plot.  I want them to be compelling, and to sew the seeds that they are the villains of the piece, but there’s a broader ethics involved which would allow for that obfuscation of heroes and villains later in the over arcing plot.

So –  a lot of work to do to make all that a reality, but at least most of the planning I’d done to this point is still valid and very useful. The history of the world still applies, though I’ve realised if I want to rely less on exposition, I might struggle to get some of it in, there’s only really one point in my plot where I can, (and must), show the history of the world. So, some block breakers are going to be experiments in historical exposition, and exposition generally.

Block breakers are now definitely going to be part of my prep after the recent trouble of number three, I might also do an out right short story as world setup for the NaNoWriMo novel, focusing on one character’s earlier life before the planned story takes place.