Ah… the corners! Please not the corners!

So I’ve written myself into a corner. First of all, fantastic I’m doing a couple of pieces of writing just days apart, got the bug again, and it feels good, until it didn’t.

So, Block Breaker #3 I’m writing a short fantasy piece… or I’d intended it to be short, literally just a battle scene, actually pretty much one fight between siblings amidst a battle scene… and I spoilt it within a  few words by separating them, and then ending the battle, alluding to a greater conflict with sorcerers. That was fine, the story takes place over  a couple of battles then.

So the corner… that’s where I am now, I’ve written myself into a corner with a big dialogue piece that’s really spun the story out. Going to have to delete it and go back, shorter dialogue that just tells the essentials. Problem is, that goes against my self imposed no editing rules for Block Breakers.

So what are my options to leave the corner, and maintain my rules? Well I can have a slightly disjointed story, where in the first part I’ve gone dialogue and plan heavy, and have a time jump that skips all the stuff I’ve set up, and brings us closer to the main line of the story, think Thanos getting the power stone off screen in the Avenger’s film. Or I could play it out, go for a 15k story, rather than the 1 to 2k’s I’d originally anticipated, (really I just felt like practising writing a fight scene as a warm up for NaNoWriMo in a couple of months), and lastly I could just stop and start something else.

I think the time jump is my best option, may even try and lay the suggestions that it was an epic bit we jumped, I can always do what TV and movies do, and do a spin off story that follows that adventure later, when I need some more practice in the genre, I don’t often revisit characters. Of course, I often don’t finish stories I start, so sequels aren’t a thing for me.

The long and the short of it though, is this is why I’m going to be carefully plotting my NaNoWriMo entry this year, because writing yourself into a corner, or far from the plot is exactly why I don’t finish a lot of stories I start.  I finished NaNoWriMo last year because I had a plan, and even though I drifted from it, I had a path to guide it back to.

But I’m going to keep going with the Block Breakers, because I feel like writing. Probably helps that for the month of September I’m keeping off other Social Media platforms – if you’re interested visit the Royal Society for Public Health , I started on the 1st September, and we’re 9 days in, and I’ve been writing more. I’m choosing not to count my blog as Social Media, (even though it technically is).

So enough rambling, I’ve got a time jump to do, and a no editing policy on Block Breakers to maintain. Hope you’ll excuse some bad writing in the middle, for what will hopefully be an exciting ending.

The Tale of the Unreliable Narrator

Recently I’ve watched How I Met Your Mother, it wasn’t something that interested me before,  but I caught some clips on YouTube, and it looked fascinating. Turns out it was a lot more fascinating that I expected, for all it’s flaws, it told stories in a unique way for television, and it might be one of my favourite uses of an unreliable narrator.

Before we begin, let me explain what How I Met Your Mother is, in short it’s an American television sit-com about the lives and loves of a group of friends as they make their way in the world… well New York, it’s told in the style of the main character recounting the adventures from 2030 in a nostalgic fashion to his children.

The wonderful thing is, as he’s explaining it to his kids, there are very obvious obfuscations and biases at play, which telegraph clearly the unreliable nature of the narrator, things like smoking weed suddenly becomes having a sandwich, but because we know he’s editing the story for his audience as he tells it, it’s safe to assume there are less obvious revisions at work.

One of the main characters is Barney, played by Neil Patrick Harris, his a womaniser, a pick up artist, and the stories told like his sexual adventures are true and successful, I think in real life though, the success rate was probably less, and the more insane pick up strategies weren’t as extreme as presented, but it’s an exaggerated portrayal of a character. That’s just one example but you get the idea.

I’ve only once used a narrator in my stories, but it’s something I’d like to try my hand at again, see if I can get it right. Technically speaking every story written in the third person is in a sense narrated, but there’s a big difference between the writer telling the story, and the voice of the narrator character telling the story. It allows you to inject bias and passion into the story, you can paint characters in more extreme and clear lights, or obfuscate certain qualities of a character out of bias. Basically you aren’t trying to describes the facts of situations, you can be more subjective.

In essence the author is always the de facto narrator, but usually we aren’t involved in the story, we’re describing the events from a perspective of the all seeing, all knowing, our biases are choosing what we show, and what we hide for later in the plot. A narrator in essence is a character telling the story, either in the first or third person, they may or may not have been involved in the story being told themselves.

I think my favourite examples are probably noir thrillers, think of your stereotypical detective story with the hard boiled private eye or policeman telling you like it is… with lots of metaphors of course:

Continue reading

The Book Isn’t Always Mightier Than The Adaptation

Okay before I get lynched by fans Harry Potter/Twilight/LOTR/Hunger Games/Da Vinci Code/and just about any story with fans, moving from medium to medium requires change and its not a new phenomenon, nor is it new that people are upset by changes. I’m not here to argue that as films are better than their source material, or even good, my argument is that its only bad one for version to be incomplete without the other.

Ancient History

So, I’ve spent a long term over the years studying texts that were originally part of oral traditions, but over Millennia were converted from a spoken medium to a written medium. The transformation of the oldest stories is fascinating, and if our current culture existed then, a whole lot of people would have been stoned for some form of blasphemy in the conversion of stories as the historical game of Chinese whispers that is oral tradition.

Actually, as it happens, people have died for presenting unfaithful accounts of history and legends. So I guess modern sensibilities aren’t so modern, just less extreme and more easily reported and repeated.

The earliest known stories came from the Lascaux caves in Southern France, it is a series of images progressing through a time period, covering the rituals and the hunt of the people at the time, it’s a story. It’s worth noting that spoken language of some variety probably came about somewhere between 100,000 and 60,000 years ago,  so I’d like to think the story telling was around long before someone thought to record it on a wall.  Continue reading

Surprise! I’m a writer!

Why surprise? Well I’ve surprised myself, we’re now two months into this writing challenge, and I’ve not stopped.

I wasn’t entirely convinced I’d stick with it, but I have this far. There’s still 298 stories to go, but it’s been a good start.

There’s a lot going on in my life, which has served as quite the distraction. I’ve missed one day – ironically on the least distracting of days. There’s been a fair few days where writing has been last minute.
I should offer a word on quality, or lack thereof – the challenge is to write, not edit. The only editing I’m doing is to trim the word count to fit in my maximum of one thousand words. It’s not always pretty, but it’s creative.

Well kind of creative – there’s probably twenty ways to armageddon the world. Pleasantly, sometimes bitter sweetly, occasionally tragically it’s been a lot more than destroying the world, I like to think I’ve got some genuine drama, emotion, and fantasy in there.

I’m going to be making a list of goals – stories and styles that are off the beaten track for me. Things I might not be good at, but are a stretch.

I’m also going to launch a separate but related challenge to edit two stories a week. Two of the Daily Flash Fiction Challenge stories, just seem spelling, grammar, flow editing, maybe do some rewrite to clarify what I intended. Otherwise the main rules of the Daily Flash Fiction Challenge, 500 to 1,000 words, a self contained story, not just a series of chapters.

Anyway the upshot is I’m writing and enjoying it. Which puts me in a good place.

Here’s to writing.