However beyond that writing in a world of technology is a real pain in the rear, too. The worlds you create, and that your characters must interact with have their own traps and pit falls, and equally rewards when things work out.

It’s a problem that writers have increasingly faced when writing about their own time, and/or future times over the past century or so. Jane Austen had it relatively easy, she only had three basic forms of communication to deal with:

• Face to face
• Letters
• Grapevine

Dumas mixed it up a bit with some technology in the form of the semaphore and news media. It was all a lot simpler though, and constrained. Since then communications technology has come on in leaps and bounds. It is now feasible that people can go days without meaningful real world communication, (I mean face to face verbal and body language and such), but communicate regularly throughout a day through one of the following:

• Facebook
• Twitter
• Peer to peer chat services (MSN, AOL, Facebook chat)
• Forums
• Email
• Text message
• Phone calls (especially mobile ones)

It’s a nightmare if you want to convey a sense of a modern world in your story. Sure a quick phone call, or a summary of an email is easy enough to handle, but communication is so instant, distant, constant, and intrusive that you’re probably better off ignoring most modern communication just to keep your story flowing, even though in all likelihood your character would deal with this stuff, (even mildly technical people are sucked into it these days).

I write under the philosophy that this type of communication should be kept to what is necessary for your story anyway, it is surprisingly easy to drift off into subplots that are made up of communication, but do nothing to drive your story. Even if it’s really interesting character developing stuff, your readers might not appreciate it quite the same way.

Something else to bear in mind, when you feel you need to expose your story to modern communications technology, we generally use a different form of our language in written forms of communication. So that character voice you’ve worked so hard to develop will become confused and diluted with the addition of another voice that is theirs and not quite theirs.

Another hint, (because I’m full of advice today), if you have to fit in a text, email, facebook status or an instant message, avoid acronyms, you’d be surprised how many readers won’t know something you think of as very common. It should go without saying that these should appear nowhere else in your novel unless you want a character or narrator to be truly obnoxious.

It doesn’t stop with modern communication though, how people communicate is pretty tied into the structure of societies. Completely ignore it in a futuristic piece and you risk society being something akin to neanderthals in space, with over half your book being travelling to communicate or your cast of characters being severely isolated from the rest of the universe that should exist.

In my NaNoWriMo novel this year, it was set in space hundreds of years ahead us and to get round the communication problems, I had to have a range of communication methods from infrequent near range video signals,  to mid-range text like transmission system, and a slow moving information network system that could spread across the galaxy.

Even with all that I still had to fit in near range personal communications via a smartphone like device because it makes no sense at all to be restrained to a desk to ask the engine room why they’re not breaking the laws of physics yet. Because you also need modern like communications to cut down on travelling through your world just for petty but important plot points. As much its nice to describe your world your readers and your characters will get equally bored and tired. There’s a need for balance, but wherever possible I put the extra effort in for real interactions, you learn a lot more about your characters that way, and you can include a lot more subtext in the communication.

So it’s a tough job to get all this organised in a cool and consistent way, without cluttering your story, and without reducing the believablity. Once you do though, you’ll have a lot easier to read story.

I stand by the method of avoiding communications that don’t involve face to face interaction as much as is feasible. I’d rather read real human interaction with all it’s intricate conscious and sub-conscious messages intact. Something increasingly lost in modern communication.

Having said all that, one of my current works in progress relies on Twitter posts as a way to provide narration about the wilder world during a cataclysmic event, but aside from brief cut outs to a Twitter news feed, the interactions with the world are mostly in person, with just the odd text and phone call to provide real time distance communication with a goal. So watch this space to see if I can see if I can get it to work, against my own general advice.

This post is a little delayed, but that’s a good thing as my NaNoWriMo project this year nearly got caught in the Technology Trap™.

The Technology Trap™ is where seemingly productivity enhancing tools aren’t actually productive at all. This can be through misunderstanding of the purpose of a piece of technology, inappropriate training or education for a piece of technology, or through design flaws and errors in technology.

My problems were the latter, I wanted to be able to write on my phone and on my PC. Surely there must be an app for that right?

Congratulations there was, a nice simple little app called My Writing Spot on Android. It had word counts in the file list of the app, and in the Web application on the PC (the latter being better as it gave you word count per file and for the whole project). The website is My Writing Nook. It’s very good in theory, you write in a series of text files (which means no complications from unnecessary functionality at this stage of writing and if you’re worried about spell checking, most browsers handle this natively, and auto-correct on your phone when it’s not in a DAYC mood will take care of spelling there), when you click save the file is stored on a protected area of your Google account and is ready for your other device to pick up when it syncs. Now syncing is the best way – but it’s also where My Writing Spot falls down in its current version – the syncing is imperfect and at points you could be syncing over and over until the file moves from your phone to appear on your computer screen and vice versa. You nervously delete it from one, and hope that works, you make umpteen copies just in case.

All this lost time, and concentration becomes a distraction from writing. I finally gave up on it when one night I ended spending a several hours trying to sort it.

Since then, I’ve switched back to good old trusty Microsoft Word when on my laptop on my mobile where I still want to write I’ve gone with QuickOffice which allows me to work on the same file and I could easily view and add to my Excel tracker for NaNoWriMo.

That’s fine with me, except I don’t want to be emailing files several times a day, it’s too inconvenient. So I signed up to Box, they are already integrated into QuickOffice, but they also have a plug in for Office so I can in effect open from and save to my account fairly fast, and then do the same from my mobile.

Even there though was a Technology Trap™, early on with QuickOffice, it crashed while saving to my Box while the signal was a bit intermittent. Lost a few hundred words (I should say this for My Writing Spot, I never lost any actual words just time). Since then I open the file save it down locally and when I’m ready for the PC I save it back to my Box. Haven’t had a problem since of that kind and it doesn’t really take much time more..

QuickOffice isn’t perfect, it doesn’t handle Swype well, but I’ve changed Android keyboards since which I’ll come on to shortly.

So to summarise the majority of my writing is done in Microsoft Word with stuff during commute and breaks at work is handled on QuickOffice – it’s worked for me for the last half of NaNoWriMo.

Another thing that’s made a big difference to writing on my phone has been Swype, it was a lot faster than typing – though it could get annoying at times not recognising what I was trying to say. When I was using My Writing Spot this wasn’t too bad, as I could press the Swype button and it would offer alternatives. The button doesn’t work like that in QuickOffice which was annoying, (it does do this automatically when it’s not sure first time – the issue is when it thinks it got it right and didn’t).

I have since changed keyboards to one called SwiftKey which uses Natural Language Processing to predict based on your historical typing what words come next, a bit like T9 and its derivatives but predicts further ahead. It means you can say more with fewer key presses. It’s taken me some time to get used to typing rather than swiping my way across the screen but it’s actually pretty good at what it does, (however since the most recent update of QuickOffice it annoyingly doesn’t work as well, with several faults in interaction between the two).

I’ll see how it does at writing fiction later, but it is doing okay with blog posts and text messages. Though, as I mentioned, there are a couple of issues with QuickOffice since the most recent update of the software.

Other tools I’ve found invaluable are covered below split between mobile, PC, and real world tools. Some of these may have been mentioned in the planning post, but I list them here as they are also vital to my writing process this NaNoWriMo.

Mobile apps (on my Samsung Galaxy SII with Android 2.3):

• Thinking Space – mind mapping software for Android with a rough around the edges file syncing system. Most of my planning was stored in Mind Maps, meant it was easy to find and reference the information I stored there, navigate my plot plan and get my story roughly back to it. Thinking Space is the only Mind Mapping software I’ve tried for Android, but it does the job very well. It’s a lot easier to use than PC versions I’ve tried.
• Fake Name Generator – based on criteria you select it generates a random name and identity information. It generates a lot of points of information such a national conforming phone number, email address, date of birth (gives you age as well if you’re not interested in DOB), occupation, fake credit details, fake website, and vital statistics like height weight and blood type. I have spreadsheets with thousands of fake details like this but it’s handy having an app that generates and does so by gender, ethnicity, and language. I tried two or three from the market this one worked best for me. It does require an internet connection to generate but you can save the identities you generate to access later without a connection.
• Task – a generic app that came already installed on my, however I used it to craft an initial timeline based on my Excel forecasting as to when I would get to particular sections, and notes to remind me to do things when I did. However, after the first few chapters I gave up trying to divide my work as I went, and decided to do chapters in editing. However this was no fault of the app, and I will use it again because it has a relatively simply to use interface. I’ve looked on market, it’s not there, but there are alternatives.
• Dolphin Browser HD – There are a lot of options for a browser, but if you’re writing in the wild, it’s handy to have internet references in the wild, and I find I get less distracted by the inconsequential when on mobile phone than when I’m at the PC. However there quite a few options for non-stock browsers on Android, I choose Dolphin Browser HD not because it’s the fastest, or because it does the most, but because it’s a good all rounder and handles complex sites fairly well. I also appreciate the interface most of the time, the sliding menu and favourites bar for instance are handy most of the time, unless they accidentally pop out at random.
• QuickOffice - Which I’ve already mentioned, it does everything I need, except work consistently with custom keyboard technologies. However even those problems aren’t insurmountable.

PC applications and websites (on my Dell Inspiron Duo with Windows 8 Developer Preview):

• Microsoft Office 2010
  • Microsoft Word – I’m a long time Microsoft Word user, I remember going way back into the days of DOS. I’ve grown up with it, I was educated on it, and have educated others in it. So out of all the free versions out there, I’ll still opt for this every time. I say this to admit my bias when I say this is the best Word Processor available bar none. Everyone however is entitled to their own view of this, but I like the things Microsoft does well, and better than the competition, and I like the idiosyncratic things they don’t. However to summarise it in an unbiased way, it accepts words in a variety of languages, has custom dictionaries, can do macros if you like for to automate common functions (I like having a short cut for adding page breaks), the newer versions have the ribbon, which I hated initially but have grown to enjoy for the most part, especially with a touch screen.
  • Microsoft Excel – For all your spreadsheeting needs, there’s nothing better. I am however a power user, and fill spreadsheets with macros, and charts many of them created or customised by me.
  • Microsoft OneNote – I use OneNote to store all my more detailed notes, web page clippings, random notes, and samples
• FreeMind – is a free Mind Mapping software for the PC, which works with files from Thinking Space on the android phone. I mostly use it for reviewing on a larger screen what I’ve done on the mobile.

So there you have it, a brief over view of the tools I’ve used for NaNoWriMo 2011. I’m going to try out a different set of tools, and some different methods for going about my writing, to give me something to compare to. Also, while I acknowledge my favourites here, I am open to something better being out there, as long as its a tool that works with the whole process with minimum fuss.

I’ll do another post in the new year to let you know what I’ve chosen to try, and how it has gone. In the meantime, suggestions wouldn’t be unwelcome.

I’m sure you can guess why, if you can’t, or even if you can because I want to show off, as of Sunday 13th November I hit 50,000 words (50,443 to be precise). Can’t validate until the 25th November, but still after falling short two years running, to hit a second week finish feels great.

I can tell you, it was quite a buzz to hit the 50,000 mark, and I didn’t stop there. Week three saw me push on with the aim of hitting 75,000 words, including “The end.” Want to know how that went? Well I did that too. Though, it was a bittersweet second victory, someone I loved dearly passed away on the Saturday, and I contemplated on just stopping with 8,846 words still to go. That wasn’t the memory I wanted to have of someone I love passing, and though it was a slog, I finished at 75,114 on day 21.

So, the last step of the immediate NaNoWriMo process is to validate your win. And I did.

So there you go – I officially win this year’s NaNoWriMo. I have a badge to prove it.

However, I have decided that there is more to NaNoWriMo than simply writing 50,000 words though – that’s goal number one, with a couple of sub-goals that are worth noting. Below I’ve listed important steps in the writing process as I see them right now, (I reserve the right to grow as a writer and evolve these later*).

1. Write a 50,000 word novel (or the start of a novel), in the month of December. Achieve that one day moment – one day I’ll write a book.
   Be inspired – be creative, imaginative, and push your comfort zone.
   
   • Partake in a vibrant community of local and international aspiring and published authors.
   • Finish your novel – if it’s precisely 50,000 great stuff, of it’s not use the momentum to get you there whether it’s by the end of November, or December, our however long it takes.
     
2. Learn to edit after you’re finished – if you edit during you’ll be lost in no time, even if you make it to the end, you’re edits may be wasted when you properly edit.
   
3. Decide where to go from here – if you think your manuscript is good enough, do you try to submit to publishers, try self-publishing (which is a lot easier with fewer risks these days with e-publishing), do you share it with the world online, privately with friends, or keep it just to yourself. Basically, review, research, decide.
   

I’m completed stage 1, and I’m enjoying 1A, and hopefully will still do so after November is over, and of course I’ve completed 1b.

I’ve found of late how I write and what I write has changed a lot. Not just big changes like the conscious decision to plan this year, but down to the dropping of attempted dialect and accents, little things like marginally improved use of the English language as well. However, I don’t generally finish stories before I run out of steam, disappear, then come back and write a new idea. This year has seen a change in that, I made it through an extended story to the finish of that story, with the marginally improved English (except for random paragraph breaks in the middle of sentences, and words my phone’s autocorrect gave up on and so on), better structure through planning and things like that. So, if I’m to continue the process of evolving it’s time to look at stage 2 and edit the damn thing.

Okay, in fairness to myself I’ve tried editing before. It’s usually what I do when inevitably I’ve gotten lost with what I was writing. I basically do it too early normally, and it’s to change things to get it going again (which it doesn’t because then I lose all momentum completely). This time though, I’m going to try and do it right. I’ll go into details in a subsequent post on here, as to how that right will actually work – at the moment having hit the end of the story I’m on a break. I need some time to deal with things, and also to read a book called How NOT to Write a Novel: 200 Mistakes to avoid at All Costs if You Ever Want to Get Published by Howard Mittelmark and Sandra Newman. It’s a good book, there are things I wouldn’t do anyway, but there are also things I’ve decided I don’t want to think about before or during writing, but as a guide of things to change in my project during editing it is going to be invaluable. Especially if I decide to go down any form of sharing route once I make it through to stage 3 after editing my novel.

Anyway, editing won’t happen until around the start of the New Year. Give me a break from the novel, and will allow me to read mistakes, and not read over them while what should be there is still fresh in my mind. Instead, when I’m feeling like writing again, I’m going to make my way through a couple of short stories (maybe 25,000 words each, but depends how they go), one of them is a new project I came up with during NaNo, the other is one I’ve restarted twice already. The old project I’m really going to work hard on nailing, as I think it’s a fascinating little piece, and deserves finally getting a finish to it.

2011 has been a mostly shit year, and continues to be – but I’ll always have that win, and hopefully I’ll always have at least a few of the friends I’ve made on doing NaNoWriMo this time round.

But before I go… here’s a ridiculous complex chart of my various targets and progress through NaNoWriMo this year:

I’ll do a proper stats post later; I have stats coming out of every pore right now with NaNoWriMo. This one contains all the salient information really in one place. If you know what you’re looking at this is a handy visual guide to how NaNoWriMo is going for you. A quick explanation:

The dark green line is the 50k target of NaNoWriMo originally, the bright red line at the top is where it switched to being 75k once I’d hit the 50k.

The dark purple bars are my actual word count, while the red line at the bottom are the words per day I actually achieved. The light purple area at the bottom meanwhile is the words per day I originally scheduled for myself, (and rescheduled once I hit 50k).

The brown line is what I actually rescheduled for myself at the beginning of NaNo (and reschedules from 50k onwards). I’m happy to report, for once my over ambitious scheduling was somewhat more comfortable than I’d expected, especially after I had a sluggish start.

The turquoise line was my very first schedule, which was over ambitious at the start, I felt, but was designed to push me has high as possible early on, in case I lost momentum later. It wasn’t reforecast, and so stayed at a 50k end.

The blue line is the new goal after hitting 50k, which gives you an idea where you need to be doing the 75k each day if you actually spread it out over the month.

Last the grey line amounts to a trend, based on performance where I could have ended up had I not stopped and maintained the pace. This changed constantly throughout the month depending on good and bad periods. At the point I stopped, had I not stopped I should have breached 100k easily (indeed since I did 75k in three weeks, the extra week should have gotten 100k, with a couple of days left over).

First of there’s how I’ve done the planning. There are obvious tools such as the browser I’ve done online research from (Firefox on my PC, and Dolphin Browser on my phone), and then sites such as Wikipedia,  space.about.com, and news websites (for the latest science and technological developments and theories). Nothing ground breaking there, I’ve been using a lot of science based sites to flush out details I can populate my universe with, but some sites on the history of piracy, and 16th, 17th, and 18th century naval life.

That’s all great but once I’ve got it, whether it’s snippets or whole articles I need to store it so that I can access it again, preferably offline so I’m not distracted by the internet later on. For this I use Microsoft Office OneNote – something I’ve had for ages but never gotten round to exploring for writing. It’s good, I’ve two projects on there, one for all that juicy research, the other for character bio’s and scene/locales.

I’m also using an app on my phone called Thinking Space (I’m using the pro version, but the free version doesn’t restrict you other than listing some screen retail to ads). This is a mind mapping (or brain storming if you want to call a spade a spade) tool, it’s a lot lower on detail than one note but has the advantage of quickly summarising thoughts and ideas and showing how things are interconnected. It’s in Thinking Space I’ve also mapped out the structure of the story, so I can clearly see what each chapter needs to include to feed events four or five chapters further into the story, and ultimately the end. Hopefully it means no loose ends at the end, and if I can keep it up to date it gives me a to-do list of changes I need to make in editing if things happen later in the story that weren’t originally part of the plan and need supporting events.

Other basics in the planning stage include Microsoft Word, Notepad, and a calculator. Then there’s my Kindle, where I’ve been reading plenty of similar sci-fi, and piracy novels. They’d also a few travel guides on there as this is an interplanetary novel each location needs to be distinct but something that can be related to by the Earth found denizens of today’s earth. It helps to borrow from out countries, cities, and cultures to enrich my fictional universe, lest everything in the universe somehow looks and feels like Leeds.

Add into that Google Sky Maps, Google Translate, and we’ve pretty much got everything I need for a space based science fiction story.

These are the tools I’ve used fire the planning, and they’ll be reused in the writing stage, but added to by things that are geared to better improve my writing, speed me up, andkeep me going. I’ll cover those in a subsequent post dedicated to that subject. I’ll do one in January to show the tools I’ll use to edit this story. For other novels I’ll try different tools and review them.

So why am I writing a post on planning? I quite often organise myself in the work place, so I don’t completely live life in a disorganised mess, I am perfectly capable of organising myself. As a writer I just don’t, or haven’t until now. As I mentioned in my previous post for NaNoWriMo this year I’m all about the planning, so much so I’m dying to get going now so much is planned out.

Why stop there though. For NaNoWriMo I’m following the advice of Roz Morris in her book How to Nail Your Novel, which was a birthday present. It’s a great book and makes a lot of sense, however there are other books, other techniques out there for planning and writing. So for December this year and upto next year’s  NaNoWriMo I’m going to experiment with them. See which matches me best, and gets the best results.

Of course that means I’ll have to dedicate more time to writing, I’ll need to be firm on making time everyday a priority. Of course it might help that not every month is a writing month, between every project there’s the planning to do, so it’s not twelve months of hardcore fingers to keys.

I’ll also experiment with software, and services.

As to ideas for all these short stories and novels, well I’ve a treasure trove of ideas, false starts, and aborted projects to make my way through.

I’ll review each method, book, and software our tool as I make my way through and post it here, what may not work for me, may help a fellow aspiring writer on their quest for successful story telling.

The first two chapters of my Memoirs of a Space Corsair are completed, and edited (though I offer no gaurentee to the quality of my self-editing, especially in the small hours of the morning). I’ve really gone for a bleak start to my characters adventures, and the third chapter will largely be bleak, though of course I can not keep it in such bleak a circumstance, I’m fairly sure if it continued into a fourth chapter, Arsène Frassin (my main character), would probably but aside his principles and simply off himself. He’s been through a lot, poor lad.

Hopefully these first two chapters give you a hint of the potential in this boy, trapped by circumstance. It is the foundation for the character, and ultimately the whole series of stories I have planned.

Hopefully, once we move out of these initial chapters, each entry will actually work as its own short story, but feed into the overall plot I intend. However, I must admit, the first three chapters, and possibly into the fourth are sequential, and intended to be read as such. I want to try and keep a word count of between 5,000 and 10,000 per instalment, just because its neater than trying to read 30,000 words in a single posting, and more convenient for the style of writing I want to achieve. As we do move into later chapters, and each adventure is one instalment (albeit with the possibility of an adventure or two being split across two instalments), it should feel a bit more like the pulp fiction of the first half of the twentieth century. I suppose I should come up with a garish and extravagant cover or two to go with milestones in my story.

I am finding this project very exciting, and its been relatively easy to write (albeit in between work, and family), but I can honestly say, the editing has been a lot tougher. I’m sure if I were to re-read either chapter through right now, I’d probably find another hour or two of changes to be made. There is little time for that before the first chapter publishes, so I shall let it lie, plenty of time before the scheduler posts up the second chapter though.

I had to have a little think about the impact of posting a story online, just as with poetry, I want to share my creative works, but a part of you does wonder, what would I do if someone misappropriated my ideas? I’ve of course added “© Jonathan L. Lawrence, 2010″, but also a disclaimer at the beginning, spelling out that this is mine, and mine alone. This may be overkill – however when I ran forum for writers, way back when, the issue of copyright did come up, and I can appreciate the wronged parties point of view.

I want to do a post on copyright, (I did do one previously, but it was more an idea, rather than a real look at the subject), and will probably do this week. I sometimes think copyright isn’t really reflective of the time, yet at the same time, I want my creative works protected as I share it with the world. There has to be a balance somewhere, and maybe it lies with the creators rather than the law to find that balance. Of course I am, in my small, untalented way, a creator, so I’m biased.

Anyway, I hope you read and enjoy the first two chapters, and I hope not keep those that do enjoy it waiting with the third and fourth.

Au revoir,

Sage

P.S. Feedback, good or bad, is always welcome – it makes me feel important that someone felt enough about what I’ve written that they would say something about it. I am an egotist after all is said and done, otherwise I wouldn’t be here. Plus, it might just help shape me into a real writer, then if I was ever published, I’d have to acknowledge your contribution – (bribery gets you everywhere, or it does in Arsène’s corrupt world).

Just a quickie, my blog is a year old this month – how fantastic, probably not dedicated as much time to it as I should – however still feels great to hit a mile stone.

In the past year I’ve written forty-eight published posts, five pages, across sixteen categories, using one hundred and eighty-three tags, I’ve recieved fourteen comments, sixty-one photos across four galleries.

I hope to build from here, and keep this going – I’ve enjoyed my time here.

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So the new project, it’s currently titled Journals of a Space Corsair, and is a sci-fi piece. Inspired by the concept of the Bio of a Space Tyrant novels by Piers Anthony, which I read recently, and once I finished reading those books, I also read Michael Crichton’s Pirate Latitudes, between the two of them, this whole science fiction universe of mine was inspired and created in my mind. What’s more is I’ve been able to put it into words, something I’ve struggled to do for the past eighteen months.

It’s a nice feeling, not too many words just yet, but just passed the 20,000 mark in two weeks so that’s a comfort.

The way I’m doing this project is blog posts, it’s an auto-biography, so I’m going to write it as a series of confessionals, the man’s story in his own words, detailing his good deeds, but mostly his crimes, the lifestyle he led, and the suffering he brought and received. The hardest part is not giving in to my tendency to make the character a flawed good guy, or to have the character swing from bad to good. I’m trying to write something that reflects a man, and not an archetype from a TV series. That isn’t to say there isn’t an arc, in fact there’s a pretty big one, and my aim is the character goes from illegality to legitimacy, and then back to illegality. Times are turbulent, wars rise up and allegiances change.

I do feel the need to acknowledge Piers Anthony, and Michael Crichton, as their books are a massive influence on this story, it was their books that really lit my imagination on fire.

From Michael Crichton I tried to take a sense of how pirates actually operated, and in many ways how the new world worked, the trade routes between the colonial lands, the stopping off points like Jamaica, which I’ve tried to translate the spirit of into worlds and space stations.

From Piers Anthony, obviously I’ve tried to take the format, the fictional autobiography of a significant figure in future history, I’m also borrowing some of the technology he mentions in his books, the travelling via a beam of light, over massive distances, which is as reasonable a way to explain interstellar travel as any. Of course it is fraught with its own difficulties in a story that takes place in real time, with politics, wars, and tactics – I can’t really afford it taking decades to travel from one planet to the other. Instead, I shall embellish the idea with faster than light energy – so it takes days and weeks to travel between the stars.

I think it is important to acknowledge where a story comes from – it is not my intention to plagiarise these amazing authors, but they have inspired within me a tale which I think is unique and distinct in its own right. Besides when it comes to science fiction, it’s never easy to come up with easy ideas for propulsion, and story telling in general tends to form into archetypes. I think that’s one of the advantages of writing an account of a self confessed bad guy, while not ground breaking or unique, it is a point of view that is carried far less often than that of a hero, heroically battling to save the world.

My intention is to post up a chapter (and if I write it right, it will be more of a self contained short story, which feeds into the overall tale), every fortnight, detailing a significant memory of this space corsair. I won’t be launching it right away, as I want to build up four or five chapters ahead, this gives me a nice cushion with which to edit the stories (because while the muse does flow, it tends not to check the grammar for me, nor does it worry about the annoying inconsistencies of writing large pieces of work in small bits). Also, my sister’s baby is due next month, I’m on holiday in Prague in August, and I’m off to the British Science Festival in Birmingham this September, so there’s plenty to interrupt my schedule.

Speaking of the British Science Festival, I’m really looking forward to it, it feeds a lot of knowledge in my science fiction, such as the power system for the ships in my story – I learned that from a presentation I went to on fusion energy, I always favoured the methodology employed in the tokamak fusion generators, rather than the method involving lasers, purely because it seems to me that once such devices as ITER are operational and producing massive quantities of energy, we would be able to learn from this and scale the process down to have a device that can sit aboard a starship and produce the kind of energy I need for propulsion, FTL (faster than light) travel, and of course the staple of most space based science fiction, the weapons.

I am genuinely excited to be writing again, and long may it continue. Nanowrimo is in November (it’s always in November, hardly a surprise there), and this year I’m going to ace it. Mark my words.

That said, I’m trying to reclaim some of my life, trying to close off massive projects at work, thus freeing up my time, and my mind outside of work, however as with all things in business, available resources are filled as immediately as they become available. A frustrating situation – however one that should not be moaned about truly, as I said I need to earn a living, and there are unfortunately many people far far worse (by a severe magnitude), than myself for whom lack of work is a significant part of their lives, and writing is far from their immediate concern.

We western writers have it so hard don’t we?

An unfortunate thing about writing in the grand scheme of things its relatively worthless, compared with the realities of living. However, the worth of simple joy is not necessarily measured by normal merits of survival, but surely without joy, we may as well not bother to survive.