This post is a little delayed, but that’s a good thing as my NaNoWriMo project this year nearly got caught in the Technology Trap™.

The Technology Trap™ is where seemingly productivity enhancing tools aren’t actually productive at all. This can be through misunderstanding of the purpose of a piece of technology, inappropriate training or education for a piece of technology, or through design flaws and errors in technology.

My problems were the latter, I wanted to be able to write on my phone and on my PC. Surely there must be an app for that right?

Congratulations there was, a nice simple little app called My Writing Spot on Android. It had word counts in the file list of the app, and in the Web application on the PC (the latter being better as it gave you word count per file and for the whole project). The website is My Writing Nook. It’s very good in theory, you write in a series of text files (which means no complications from unnecessary functionality at this stage of writing and if you’re worried about spell checking, most browsers handle this natively, and auto-correct on your phone when it’s not in a DAYC mood will take care of spelling there), when you click save the file is stored on a protected area of your Google account and is ready for your other device to pick up when it syncs. Now syncing is the best way – but it’s also where My Writing Spot falls down in its current version – the syncing is imperfect and at points you could be syncing over and over until the file moves from your phone to appear on your computer screen and vice versa. You nervously delete it from one, and hope that works, you make umpteen copies just in case.

All this lost time, and concentration becomes a distraction from writing. I finally gave up on it when one night I ended spending a several hours trying to sort it.

Since then, I’ve switched back to good old trusty Microsoft Word when on my laptop on my mobile where I still want to write I’ve gone with QuickOffice which allows me to work on the same file and I could easily view and add to my Excel tracker for NaNoWriMo.

That’s fine with me, except I don’t want to be emailing files several times a day, it’s too inconvenient. So I signed up to Box, they are already integrated into QuickOffice, but they also have a plug in for Office so I can in effect open from and save to my account fairly fast, and then do the same from my mobile.

Even there though was a Technology Trap™, early on with QuickOffice, it crashed while saving to my Box while the signal was a bit intermittent. Lost a few hundred words (I should say this for My Writing Spot, I never lost any actual words just time). Since then I open the file save it down locally and when I’m ready for the PC I save it back to my Box. Haven’t had a problem since of that kind and it doesn’t really take much time more..

QuickOffice isn’t perfect, it doesn’t handle Swype well, but I’ve changed Android keyboards since which I’ll come on to shortly.

So to summarise the majority of my writing is done in Microsoft Word with stuff during commute and breaks at work is handled on QuickOffice – it’s worked for me for the last half of NaNoWriMo.

Another thing that’s made a big difference to writing on my phone has been Swype, it was a lot faster than typing – though it could get annoying at times not recognising what I was trying to say. When I was using My Writing Spot this wasn’t too bad, as I could press the Swype button and it would offer alternatives. The button doesn’t work like that in QuickOffice which was annoying, (it does do this automatically when it’s not sure first time – the issue is when it thinks it got it right and didn’t).

I have since changed keyboards to one called SwiftKey which uses Natural Language Processing to predict based on your historical typing what words come next, a bit like T9 and its derivatives but predicts further ahead. It means you can say more with fewer key presses. It’s taken me some time to get used to typing rather than swiping my way across the screen but it’s actually pretty good at what it does, (however since the most recent update of QuickOffice it annoyingly doesn’t work as well, with several faults in interaction between the two).

I’ll see how it does at writing fiction later, but it is doing okay with blog posts and text messages. Though, as I mentioned, there are a couple of issues with QuickOffice since the most recent update of the software.

Other tools I’ve found invaluable are covered below split between mobile, PC, and real world tools. Some of these may have been mentioned in the planning post, but I list them here as they are also vital to my writing process this NaNoWriMo.

Mobile apps (on my Samsung Galaxy SII with Android 2.3):

• Thinking Space – mind mapping software for Android with a rough around the edges file syncing system. Most of my planning was stored in Mind Maps, meant it was easy to find and reference the information I stored there, navigate my plot plan and get my story roughly back to it. Thinking Space is the only Mind Mapping software I’ve tried for Android, but it does the job very well. It’s a lot easier to use than PC versions I’ve tried.
• Fake Name Generator – based on criteria you select it generates a random name and identity information. It generates a lot of points of information such a national conforming phone number, email address, date of birth (gives you age as well if you’re not interested in DOB), occupation, fake credit details, fake website, and vital statistics like height weight and blood type. I have spreadsheets with thousands of fake details like this but it’s handy having an app that generates and does so by gender, ethnicity, and language. I tried two or three from the market this one worked best for me. It does require an internet connection to generate but you can save the identities you generate to access later without a connection.
• Task – a generic app that came already installed on my, however I used it to craft an initial timeline based on my Excel forecasting as to when I would get to particular sections, and notes to remind me to do things when I did. However, after the first few chapters I gave up trying to divide my work as I went, and decided to do chapters in editing. However this was no fault of the app, and I will use it again because it has a relatively simply to use interface. I’ve looked on market, it’s not there, but there are alternatives.
• Dolphin Browser HD – There are a lot of options for a browser, but if you’re writing in the wild, it’s handy to have internet references in the wild, and I find I get less distracted by the inconsequential when on mobile phone than when I’m at the PC. However there quite a few options for non-stock browsers on Android, I choose Dolphin Browser HD not because it’s the fastest, or because it does the most, but because it’s a good all rounder and handles complex sites fairly well. I also appreciate the interface most of the time, the sliding menu and favourites bar for instance are handy most of the time, unless they accidentally pop out at random.
• QuickOffice - Which I’ve already mentioned, it does everything I need, except work consistently with custom keyboard technologies. However even those problems aren’t insurmountable.

PC applications and websites (on my Dell Inspiron Duo with Windows 8 Developer Preview):

• Microsoft Office 2010
  • Microsoft Word – I’m a long time Microsoft Word user, I remember going way back into the days of DOS. I’ve grown up with it, I was educated on it, and have educated others in it. So out of all the free versions out there, I’ll still opt for this every time. I say this to admit my bias when I say this is the best Word Processor available bar none. Everyone however is entitled to their own view of this, but I like the things Microsoft does well, and better than the competition, and I like the idiosyncratic things they don’t. However to summarise it in an unbiased way, it accepts words in a variety of languages, has custom dictionaries, can do macros if you like for to automate common functions (I like having a short cut for adding page breaks), the newer versions have the ribbon, which I hated initially but have grown to enjoy for the most part, especially with a touch screen.
  • Microsoft Excel – For all your spreadsheeting needs, there’s nothing better. I am however a power user, and fill spreadsheets with macros, and charts many of them created or customised by me.
  • Microsoft OneNote – I use OneNote to store all my more detailed notes, web page clippings, random notes, and samples
• FreeMind – is a free Mind Mapping software for the PC, which works with files from Thinking Space on the android phone. I mostly use it for reviewing on a larger screen what I’ve done on the mobile.

So there you have it, a brief over view of the tools I’ve used for NaNoWriMo 2011. I’m going to try out a different set of tools, and some different methods for going about my writing, to give me something to compare to. Also, while I acknowledge my favourites here, I am open to something better being out there, as long as its a tool that works with the whole process with minimum fuss.

I’ll do another post in the new year to let you know what I’ve chosen to try, and how it has gone. In the meantime, suggestions wouldn’t be unwelcome.

I’m sure you can guess why, if you can’t, or even if you can because I want to show off, as of Sunday 13th November I hit 50,000 words (50,443 to be precise). Can’t validate until the 25th November, but still after falling short two years running, to hit a second week finish feels great.

I can tell you, it was quite a buzz to hit the 50,000 mark, and I didn’t stop there. Week three saw me push on with the aim of hitting 75,000 words, including “The end.” Want to know how that went? Well I did that too. Though, it was a bittersweet second victory, someone I loved dearly passed away on the Saturday, and I contemplated on just stopping with 8,846 words still to go. That wasn’t the memory I wanted to have of someone I love passing, and though it was a slog, I finished at 75,114 on day 21.

So, the last step of the immediate NaNoWriMo process is to validate your win. And I did.

So there you go – I officially win this year’s NaNoWriMo. I have a badge to prove it.

However, I have decided that there is more to NaNoWriMo than simply writing 50,000 words though – that’s goal number one, with a couple of sub-goals that are worth noting. Below I’ve listed important steps in the writing process as I see them right now, (I reserve the right to grow as a writer and evolve these later*).

1. Write a 50,000 word novel (or the start of a novel), in the month of December. Achieve that one day moment – one day I’ll write a book.
   Be inspired – be creative, imaginative, and push your comfort zone.
   
   • Partake in a vibrant community of local and international aspiring and published authors.
   • Finish your novel – if it’s precisely 50,000 great stuff, of it’s not use the momentum to get you there whether it’s by the end of November, or December, our however long it takes.
     
2. Learn to edit after you’re finished – if you edit during you’ll be lost in no time, even if you make it to the end, you’re edits may be wasted when you properly edit.
   
3. Decide where to go from here – if you think your manuscript is good enough, do you try to submit to publishers, try self-publishing (which is a lot easier with fewer risks these days with e-publishing), do you share it with the world online, privately with friends, or keep it just to yourself. Basically, review, research, decide.
   

I’m completed stage 1, and I’m enjoying 1A, and hopefully will still do so after November is over, and of course I’ve completed 1b.

I’ve found of late how I write and what I write has changed a lot. Not just big changes like the conscious decision to plan this year, but down to the dropping of attempted dialect and accents, little things like marginally improved use of the English language as well. However, I don’t generally finish stories before I run out of steam, disappear, then come back and write a new idea. This year has seen a change in that, I made it through an extended story to the finish of that story, with the marginally improved English (except for random paragraph breaks in the middle of sentences, and words my phone’s autocorrect gave up on and so on), better structure through planning and things like that. So, if I’m to continue the process of evolving it’s time to look at stage 2 and edit the damn thing.

Okay, in fairness to myself I’ve tried editing before. It’s usually what I do when inevitably I’ve gotten lost with what I was writing. I basically do it too early normally, and it’s to change things to get it going again (which it doesn’t because then I lose all momentum completely). This time though, I’m going to try and do it right. I’ll go into details in a subsequent post on here, as to how that right will actually work – at the moment having hit the end of the story I’m on a break. I need some time to deal with things, and also to read a book called How NOT to Write a Novel: 200 Mistakes to avoid at All Costs if You Ever Want to Get Published by Howard Mittelmark and Sandra Newman. It’s a good book, there are things I wouldn’t do anyway, but there are also things I’ve decided I don’t want to think about before or during writing, but as a guide of things to change in my project during editing it is going to be invaluable. Especially if I decide to go down any form of sharing route once I make it through to stage 3 after editing my novel.

Anyway, editing won’t happen until around the start of the New Year. Give me a break from the novel, and will allow me to read mistakes, and not read over them while what should be there is still fresh in my mind. Instead, when I’m feeling like writing again, I’m going to make my way through a couple of short stories (maybe 25,000 words each, but depends how they go), one of them is a new project I came up with during NaNo, the other is one I’ve restarted twice already. The old project I’m really going to work hard on nailing, as I think it’s a fascinating little piece, and deserves finally getting a finish to it.

2011 has been a mostly shit year, and continues to be – but I’ll always have that win, and hopefully I’ll always have at least a few of the friends I’ve made on doing NaNoWriMo this time round.

But before I go… here’s a ridiculous complex chart of my various targets and progress through NaNoWriMo this year:

I’ll do a proper stats post later; I have stats coming out of every pore right now with NaNoWriMo. This one contains all the salient information really in one place. If you know what you’re looking at this is a handy visual guide to how NaNoWriMo is going for you. A quick explanation:

The dark green line is the 50k target of NaNoWriMo originally, the bright red line at the top is where it switched to being 75k once I’d hit the 50k.

The dark purple bars are my actual word count, while the red line at the bottom are the words per day I actually achieved. The light purple area at the bottom meanwhile is the words per day I originally scheduled for myself, (and rescheduled once I hit 50k).

The brown line is what I actually rescheduled for myself at the beginning of NaNo (and reschedules from 50k onwards). I’m happy to report, for once my over ambitious scheduling was somewhat more comfortable than I’d expected, especially after I had a sluggish start.

The turquoise line was my very first schedule, which was over ambitious at the start, I felt, but was designed to push me has high as possible early on, in case I lost momentum later. It wasn’t reforecast, and so stayed at a 50k end.

The blue line is the new goal after hitting 50k, which gives you an idea where you need to be doing the 75k each day if you actually spread it out over the month.

Last the grey line amounts to a trend, based on performance where I could have ended up had I not stopped and maintained the pace. This changed constantly throughout the month depending on good and bad periods. At the point I stopped, had I not stopped I should have breached 100k easily (indeed since I did 75k in three weeks, the extra week should have gotten 100k, with a couple of days left over).

I make no claim to it being especially good, or an annual highlight to the poetry scene, (though my 27th Birthday Poem is the most read page on site – from people Googling for the exact words of the title I guess), its just a poem about my birthday and what the day means to me.

A Year to be Surpassed

A shadow fell over yesterday,
I turned twenty-eight,
It’s not that aging is bad,
But that another year has gone.

For every joy I’ve had to pay,
Yet seek joy come what may,
The same old slate,
Without a wipe date,
I will not say it was all sad,
And it didn’t make me mad.

The beast of success I did not slay,
My performance didn’t rate,
Yet for moments I am glad,
With a niece as lovely as a chiffon.

Another milestone be gone,
Next year I’ll have myself outdone.

©, Jonathan Lawrence 2010

P.S. I should add, as a cautionary note – I haven’t listed anything other than my niece being born as being explicitly good or bad. So I should note, that since my niece was born, I’ve enjoyed a fantastic time, being an uncle, thanks to some fortunate circumstances I’ve lived like a king, I’ve been to Prague, and I’ve come here to the Science Festival with some great people. Things like this were the moments I am glad for – just in case anyone thinks that I think I should be so rich and fortunate in life that the past two or three months have been less than notable.

When I think about it, it is quite strange that my niece coming into this world has marked such a massive turn around for my year, right at the end. However, life returns back to normal from here on in, I need to to start saving to make next year that bit more magical, all year round.

So to all my family and friends who have provided the highlights to my year, those moments I am glad for, have helped keep me sane when all else might have rendered me mad – I would like to say thank you. I hope I can do the same for you.

Just a quickie, my blog is a year old this month – how fantastic, probably not dedicated as much time to it as I should – however still feels great to hit a mile stone.

In the past year I’ve written forty-eight published posts, five pages, across sixteen categories, using one hundred and eighty-three tags, I’ve recieved fourteen comments, sixty-one photos across four galleries.

I hope to build from here, and keep this going – I’ve enjoyed my time here.

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So the new project, it’s currently titled Journals of a Space Corsair, and is a sci-fi piece. Inspired by the concept of the Bio of a Space Tyrant novels by Piers Anthony, which I read recently, and once I finished reading those books, I also read Michael Crichton’s Pirate Latitudes, between the two of them, this whole science fiction universe of mine was inspired and created in my mind. What’s more is I’ve been able to put it into words, something I’ve struggled to do for the past eighteen months.

It’s a nice feeling, not too many words just yet, but just passed the 20,000 mark in two weeks so that’s a comfort.

The way I’m doing this project is blog posts, it’s an auto-biography, so I’m going to write it as a series of confessionals, the man’s story in his own words, detailing his good deeds, but mostly his crimes, the lifestyle he led, and the suffering he brought and received. The hardest part is not giving in to my tendency to make the character a flawed good guy, or to have the character swing from bad to good. I’m trying to write something that reflects a man, and not an archetype from a TV series. That isn’t to say there isn’t an arc, in fact there’s a pretty big one, and my aim is the character goes from illegality to legitimacy, and then back to illegality. Times are turbulent, wars rise up and allegiances change.

I do feel the need to acknowledge Piers Anthony, and Michael Crichton, as their books are a massive influence on this story, it was their books that really lit my imagination on fire.

From Michael Crichton I tried to take a sense of how pirates actually operated, and in many ways how the new world worked, the trade routes between the colonial lands, the stopping off points like Jamaica, which I’ve tried to translate the spirit of into worlds and space stations.

From Piers Anthony, obviously I’ve tried to take the format, the fictional autobiography of a significant figure in future history, I’m also borrowing some of the technology he mentions in his books, the travelling via a beam of light, over massive distances, which is as reasonable a way to explain interstellar travel as any. Of course it is fraught with its own difficulties in a story that takes place in real time, with politics, wars, and tactics – I can’t really afford it taking decades to travel from one planet to the other. Instead, I shall embellish the idea with faster than light energy – so it takes days and weeks to travel between the stars.

I think it is important to acknowledge where a story comes from – it is not my intention to plagiarise these amazing authors, but they have inspired within me a tale which I think is unique and distinct in its own right. Besides when it comes to science fiction, it’s never easy to come up with easy ideas for propulsion, and story telling in general tends to form into archetypes. I think that’s one of the advantages of writing an account of a self confessed bad guy, while not ground breaking or unique, it is a point of view that is carried far less often than that of a hero, heroically battling to save the world.

My intention is to post up a chapter (and if I write it right, it will be more of a self contained short story, which feeds into the overall tale), every fortnight, detailing a significant memory of this space corsair. I won’t be launching it right away, as I want to build up four or five chapters ahead, this gives me a nice cushion with which to edit the stories (because while the muse does flow, it tends not to check the grammar for me, nor does it worry about the annoying inconsistencies of writing large pieces of work in small bits). Also, my sister’s baby is due next month, I’m on holiday in Prague in August, and I’m off to the British Science Festival in Birmingham this September, so there’s plenty to interrupt my schedule.

Speaking of the British Science Festival, I’m really looking forward to it, it feeds a lot of knowledge in my science fiction, such as the power system for the ships in my story – I learned that from a presentation I went to on fusion energy, I always favoured the methodology employed in the tokamak fusion generators, rather than the method involving lasers, purely because it seems to me that once such devices as ITER are operational and producing massive quantities of energy, we would be able to learn from this and scale the process down to have a device that can sit aboard a starship and produce the kind of energy I need for propulsion, FTL (faster than light) travel, and of course the staple of most space based science fiction, the weapons.

I am genuinely excited to be writing again, and long may it continue. Nanowrimo is in November (it’s always in November, hardly a surprise there), and this year I’m going to ace it. Mark my words.

Two thousand words dropped for nowt, and probably another thousand to erase the second mistake.

I do have a plan though, and it is a cunning plan, go back again and undo the difficulties, limit the protaginists psychological difficulties (which are what would take too long in the time wise to deal with), but keep the secondary character. Kind of a sidekick to help out my protaginist through the couple of days recovery he needs (I’ve also undone shooting him in the legs, and instead had the bullet nick his brachial artery).

This should mean my character is less on his own, and has more interaction, and I can up the humour a bit. I’d much rather my characters were funny people than the narrative, or situations. Gallows humour is good, especially in procedural crime writing.

So, recovery is in sight – but I do have some monster writing sessions between now and this Saturday. Which is fine, I don’t mind the pressure, it’s only when deadlines become tight that I really put my foot on the gas and blast those monster wordcounts out. I had hoped this year woukd be different – but events conspired against me.

Meeting up with other NaNoWriMo’ers helps – it’s where I found mysels thinking out the solution to my plot problems. It was a good meet up on Sunday, (7th November 2009), some new faces and old. It’s enough to make you believe writers are generally smart, talented, driven people, who are genuinely nice, friendly, and social – until you remember I was there , brutish talentless oaf that I am.

The only way to hit 100,000 is going to be by being diligent, and erm… Deadlining with an all nighter on Friday – yes my bad, but we each have our ways of writing afterall.

In my defence (against myself, since I’m my own harshest critic), there has been a lot of drama to trip me up along the way. From car thefts, work, and family – all neatly working their way into my writing time, and mindset.

I shouldn’t be bothered, the plan was for 20,000 a weekend, with and extra 5,000 on a Friday, and we’ve not had a full weekend yet – but I want to do more, be faster stronger as a writer.

I’m not helping myself however, trying to exercise and write at the same time isn’t easy, and it’s taking it’s toll. The Friday just gone, I should have done 5,000 words, instead I slept. Oops, my bad.

It just means today (Saturday) I have to hit 15,000 to be sure of my targets.

Actually, I do realise I’m being unfair, everytime I think about it, I ramp up the amount of words I need to do each week (and subsequently each day), because of how badly I’m doing. It’s not just to contemplate for being bad now, it’s to compensate for things being just as hard later. I know that if I could get away with it, I would probably set myself a target of 50,000 words a day this weekend. Which isn’t unachievable really – think about it, assuming I slept for 12 hours, out of the 48, and wrote for the rest – I’d only need to achieve 52 words per minute consistently.

Of course, that’s not likely since I’m here writing this, oops. 15,000 today and tomorrow is fine – it’ll get me to 42% of my target, which does give me room to relax for the rest of the month.

I am my own hardest task master… I’ve as many psychological issues as my main character – but he’s paranoid delusional, since I started writing his life has now gone quite psychotic. The irony is, I didn’t mean to do that, all I did was shoot him, and he’s gone nuts. Oops.

So now I’ve got to get him functional, get him out of hospital, and somehow have him run (a bullet passed through both thighs, and at one point he starts bleeding out). Oh hum – well here goes.

The good thing with a 100,000 word count target, if I don’t finish this in 50,000 I can push it to 60,000 and then have a nice shorter to finish the challenge with.

And if you think I’m a harsh task master this year? Next year will be 50% harder… and you don’t even want to know about the year after that.

It started at midnight, and so did I, or close enough (what I actually did was start the procastination early, by waiting an hour to start while I worked on a spreadsheet to track my writing… erm oops). Anyway, today I went to Café Latino in Leeds, met up with another writer doing NaNoWriMo, and we got to work properly on writing our novels.

I’d like to say I’m target, but I’m about four thousand words short as it stands, and annoyingly I’m currently averaging a very poor, and very slow four hundred and fifty three words an hour, I’m not really sure why, the ideas there. Hopefully when a few more characters turn up, and we get some good interaction (not just phone calls), the words will start to flow.

My ideal is to do ten thousand words a day at weekends, with an extra five thousand on a Friday night. Now I know this isn’t entirely sustainable, which is where week nights come in, they’re my bonus rounds where I can pick a few extra on the word counts, but I can also take some time to create and organise notes, drawings, and do plans to help me at the weekends. The weekend and Fridays plan brings me to my target of one hundred thousand words, across two stories – and thats where I need to focus my efforts.

I don’t really need to feel too bad about not hitting target today, this Sunday is an extra, above and beyond the plan, so any words today, just help take a bit of pressure off later on. However, aside from a few chores, and writing this entry I’ll be writing right up until bedtime. Sadly this year there won’t be any bus writing, my little netbook is still out of order (bang out of order as it were), and I’m confined to using my seventeen inch monster laptop which is just about portable, if I’m writing in a café, or some such, not really something I can sit on a bus with.

I am feeling really confident about this year though, I’ve got a good plan, and some great ideas. There’s a lot of pressure, but I write better with pressure, its how I made it last year,  when I did 80% of my novel in just ten days, right at the end.

I’m going to try and fit in time to keep writing here, this is what my blog is for, writing, and discussing writing, and this is the month I’m going to be doing lots of it, so i’ll have plenty to discuss.

To all everyone doing NaNoWriMo out there, I wish you all the best of luck.

If you enjoy it, let me know – but likewise if you have constructive feedback I’d welcome that too.

Later, I’ll be using this poem as one of the sources for a post about editing poetry, so you never know, I may be back with a better version yet – but I still love this one.

Spider Poem

Have you ever taken a moment out of your day,

To watch something truly unimpressive,

Yet overwhelmingly inspiring all the same?

You might never consider it worthwhile to say,

Events so small it’s easy to be dismissive,

If you discard it I think you should feel shame.

An event of such minor proportions happened to me,

So life alteringly small,

It unlocked a door to my soul,

And something changed within.

It started with a visit to the loo,

Hardly an auspicious opening,

But I was stuck transfixed to what I saw.

A spider of insignificant tall,

Trapped in the bath bowl,

Myths say forever trapped therein.

It tried and tried with web of glue,

Of this castle it was not destined to king,

With no regard to mythological law,

With as much chance of escape as a ball,

And remember no digging, it’s not a mole,

This spider free of thoughtful sin.

It could climb so far then fall,

Web attached it would roll,

No more than a silent din.

I felt this littlest of heroes would try till it was blue,

It would never throe the towel into the ring,

Like a drowning man, desperate to reach the shore.

I am in awe that it would not let it’s fate just be,

It answered life’s challange with dignity and a call,

And finally, or most orgasmically, ended was it’s toll,

It won it’s mighty quest to the envy of it’s kin.

A much larger spider had watched and did stay,

A coward, but in its size it was impressive,

it didn’t matter though the little one won this game.

Nothing now stopped this little spider may,

It climbed a shampoo bottle, then the wall its complete missive,

The little spider inspired my writing and this poem came.

Have you ever taken a moment out of your day,

To watch something truly unimpressive,

Yet overwhelmingly inspiring all the same?

I did and it truly did dividends pay,

And the time it took may seem excessive,

But I was changed, no longer the writer eternally lame.

©, Jonathan Lawrence 2009

There is a point where quality and quantity must come at a price. For published authors that point has come, people have deemed the quality and quantity worthwhile paying for, and are ready to stump up the cash.

The world is changing though, and the point of quality and quantity is higher, it’s an uphill struggle against thousands of other writers to hit that point. The internet has had a major impact, books are less popular because there’s so much out there for free, and more convenient.

Amazon was a revelation, you no longer had to go to books, instead they came to you. That hit bookshops hard, but they struggled on. The focus of books changed though, the priority for quick ROI’s (return on investment) is pushed. Books now have to hit the most people for the least popular price. A strategy that seems to back fire more and more. This strategy led to the rise of the ridiculously priced minor celebrity biography. A scatter gun approach to the problem that spreads the investment over many similar books, hoping that one will catch the eye, and return enough money to pay for the lot. Plus I imagine a few publicists like rubbing shoulders with celebrities, and those in the know.

Regardless, sadly the book industry is dying. Various strategies, to my mind, have exasperated the situation, but it’s only hastened the demise, not caused it. The new killer started to rise a couple of years ago, the eBook. EBooks have been around for a while in one form or another, but various technologies are aimed solely at enabling this market, from software for computers and PDA’s to dedicated eBook readers. Libraries of books can be fit onto a memory card smaller than my thumbnail.

Many companies are trying different models to get a ROI from eBooks. The problem is DRM will always be breakable, which means one person pays, cracks, and shares with the world.

It is robbery, but one that’s hard to pinpoint, hard to deal with, and in these days of burgeoning technological advances both sides of the line, hard to track. There are those that argue that it isn’t morally incompatible with the arts, just the same way they argue with the film companies, and the music industry. However, for the time being, the issue isn’t nearly so great as with films and music – and the value of revenue streams is far different.

Throw in that much of the content available on the internet is legally free, in terms of literature, I doubt the publishing industry could get anywhere close to the extreme actions of it’s bigger sisters (music, film, and television).

I’ll put my cards on the table, I don’t necessarily agree with how copyright works now, though I acknowledge the illegality of file sharing certain files, I don’t believe the law is set up right for the twenty-first century. The basis for copyright laws dates to the 1600′s (must query and confirm), when small publishing presses were re-publishing books of bigger firms. Back then copyright was set at a decade, and then books would become fair game, giving the larger firms ten years protection on profits. Then, with a lot of lobbying from bigger publishers, copyright duration was extended, and extended. Loop holes were systematically excised, and precedent cases were brought against people and organisations, big and small.

Though over the past few hundred years there have been countless alterations to copyright law, international versions have been set up – the principles are the same. The current creative industries are hooked, their whole business models inflexibly require this antiquated form of copyright, and they fight any and all efforts to change this.

Even as the world changes, leaving them behind.

Truth is, illegal file sharing wouldn’t nearly be so big, popular, or socially addictive as it is now, had the corporations, and governments come into the game earlier, and dealt with the situation. They could have spent the past decade looking at changing their businesses to fit with the twenty-first century, while protection their revenue. However, a short sighted view, and inefficient weed killer, has maintained their own degradation as the source of creative media.

They only have themselves to blame. However, I digress slightly, but only slightly.

The point of this article is to explore a very valid point, one that multiple industries are faced with.

Given the abundance of free and legal sources of entertainment on the internet, of reasonable quality – would you pay for it elsewhere?

Say for instance, I’m a bestselling author – I’ve just written a ground breaking piece of fiction. It’s gone to the publishers, and has been released into the wilds of the bookshop. Now, I have some sort of weird control over my own works, that prevents my publisher from blocking me from publishing elsewhere, (I would expect they have better control of contracts than this, but it’s a necessary machination for my role-play), and I decide to offer it free to an online community, or two.

Everyone can go and download and eBook version of my groundbreaking book, (by the way, if you’re wondering it’s an awesome book, the best you’ll ever read), the media publicises this fact widely, so lots and lots of people know.

The consumer has a choice, they can download it for free online, or purchase the book. Which do you think the consumer would choose?

I believe they’ll choose the free meditation. I would. However since this a ground breaking, and unbelievably amazing book, maybe I’m hoping they want to buy a physical edition, to keep forever. However, the revenue is going to be far less.

Now, bearing in mind we’re dealing with an ultra-amazing groundbreaking book, if I were to add some form of advertising to the download page, I can recoup some of the lost revenue. Given how amazing the book is, that’s a lot of potential individuals to advertise to.

Of course, financially that’s not quite satisfying, I’ve got bills to pay, and a five storey, one hundred bedroom mansion to buy, (you know, the essentials in life). Next up, I want to look at putting advertising in the eBook – of course I’m a proud writer, and I don’t want LucoCola logo or text interfering with the story itself, so maybe on the front and back pages, and water marks in the corners? Intrusive, but not story ruining. The added advantage to this is, if you want the book without the advertising, you can go to a shop and pay for it.

Seems like a reasonable business model, no? I get lots of good attention from online downloads, plus a reasonable advertising revenue stream, and I get a decent payback from the physical copy of the book. It’s a business plan I could live with, except it would only really pay off with something destined for success. If only one hundred people download your book, the advertising revenues would be tiny, and certainly wouldn’t get me close to my SR-71 Blackbird, even a retired fixer upper.

If there were an organisation dedicated to this form of creative distribution, advertising streams could be optimalised, and profits from the whole business could be shared as a regular reward between those who distribute content (within a time frame), on top of a specific revenue return team. Should the organisation do well, a bonus could be paid as a dividend between all the contributing authors. Again, authors wouldn’t receive a vast amount, but they would receive money specific to their work, a share of the money in the whole organisation. Of course the organisation would need to keep at least half the money raised itself towards operating costs, and future expansion. It would be a fair system though, and of course with a central organisation, advertising can be targeted and negotiated for the best possible returns.

It may be that organisations like this already exists, I need to do some research. It would be nice to think it would, and I could have a look around, see how it works, if it works, and what it really means for the literary world. I think it would be a fantastic concept -the hard part would be attracting people to check it out and start downloading those eBooks.

Getting people downloading requires three things:

1. Brand/site knowledge – i.e. advertising
2. Product range – authors willing to try out an untested system
3. Technology – a content management system that can track downloads, and report statistics

Items one and three both require money, and/or time to invest. I imagine, it would be a fairly high risk venture, and would require constant work to keep the model going beyond any initial interest at the start of the journey.

There is a possibility it could be a Mecca for the unpublished authors out there, looking to make a name for themselves, and impact. As fantastic a resource for new writers that it could be, to attract and maintain an audience, you would need to have major names lined up alongside them, otherwise the audience won’t come to the site, and then stumble across new finds.

Another possibility for this model is to have a subscription based pricing model, which wouldn’t have advertisements. You wouldn’t necessarily launch with that pay system in place.

That’s one way, I can think that should provide the audience with free, or at least cheap books, which would give some recompense to the writers. If it hasn’t already been done, it would be a pretty major undertaking to put in place, and build up enough of a customer base to really make a difference in the market.

Of course, an important thing missing from this model is the publishers, and agents – a staple of the industry at present. Also, writers wouldn’t have access to the vast resources of the publishers in getting a publishable final draft, to a publishable commodity, risking lowering the quality of work being released.

There would have to be some thought into what to do about sharing – if people were to share the content across P2P networks, for instance, there would be no statistics to show advertising revenues. If you were to implement a DRM system, then someone would probably crack it – though this model may offer hope that cracking the DRM system, and sharing by P2P is more of a hassle than simply signing up and downloading from the site.

These are just some thoughts that I’ve had, when considering the problem – I’ve not really gone into much detail. I do however think that something like this is needed, and will happen at some point.

A similar model may also be possible with the news, I know news organisations are getting very concerned about where their revenue is going to come from, as online news becomes more and more prominent than traditional paper news sources. The news service already has online advertising, (some of which can be annoyingly obtrusive in their desperate attempts to claw back revenue), however the news world is so distributed, and online news so plentiful, it’s hardly surprising they’re struggling to make a profit. Which is where my model falls down, as my model really needs to have limited competition in its domain to operate fully, otherwise the money from advertising will add up to very little. For the news services, it could be they consolidate their content to one central place, where it’s all segregated – it becomes more of an online news vendor. You select the particular “paper” that you want, and people gain access. Possibly many items are shared, open to the public with just advertising to support it – but things such as commentaries, investigative journalism, and special offers are held in a subscription only area. Or rather than subscription, it could operate a pay as you go system, where the user puts £10 into their account once a month, and pays for the extra features on a daily basis.

The various media organisations working together could easily have the money and resources to invest in such an enterprise.

For films, and television, advertising at the beginning and end of a film clip – which is programmatically mandatory to watch (possibly with an advertisement mid-way through a longer film), and a subscription needed to access special features (DVD type features). The film and television could be in the TV range of broadcast (six months after DVD release I believe), so as to compete with TV, but not the major initial revenue sources of the cinema and DVD release. Possibly a subscription or PAYG service could be used to access the latest films a couple of months after DVD release.

There are hundreds of ways to improve upon the current systems in place – this rough idea I have is just one of them – and would need a lot more week. The great thing about this rough idea is it doesn’t involve a change in copyright law. Though I would prefer a review of copyright law, one that has the responsibility of balancing the needs of the publisher, the writer, and the reader.

I’m going to explore this, and other ideas relating to the business, and legalities of writing, though it may seemingly not matter if you’re not currently being published – they do have a heavy affect upon the world of authors.