Imagination: Worlds of My Creation

Writing is a truly amazing thing for me, it allows me to dump my big random imagination, and allows to keep it for all time. Even if I don’t get far into a novel, anytime I want to relive that imagination I just read what I’ve got.

I’m one of those writers that are blessed with hardcore imagination. Ideas come easy to me, anything can trigger an idea. There isn’t any work involved in shaping the imagination, if I let it just run wild, and I can reconjure an imaginar episode with just a few mental or physical prompts.

Of course if I want to shape this into a story I have to harness it, and that requires a great deal if force.

I imagine whole world’s in my head, a litany of characters, intensive situations, there’s detail o’plenty, as a character slams into a building, I’ll be stood at the bus stop opposite, I’ll see every half broken brick, and bits of mortar. As the protagonists of my imagination move closer for that all but inevitable kiss, I can see it happening, I can see the lines in the woman,s lips, I can see the guys forced face as he struggles not to go too fast, he wants to project a certain image with that kiss, and I see the car speeding towards them, the one who’ll brake hard, and speed away, the moment spoiled. The driver by the way has brown hair, a blue denim jacket, and was smoking – he’s actually fleeing the scene of a crime, which he had nothing to do with, but he’s got form and doesn’t want to go back to jail on a mistake.

The reason it needs to be strong armed is two-fold, firstly my imagination can run rampant at the worst time, I can easily switch between genre’s, decades (even centuries), and characters, it takes practice to keep it on track. The second reason is writing for a mythical readership, I love my imagination – most of the time it’s better than TV, but it’s to my tastes (most of the time, there are occaisionally things I can’t stand, and even offend me), however whether it’s to the taste of a reading audience I’m less sure. Therefore if I want to write an imaginary scene it has to be guided, and then censored and modified further as it flows from the pen.

There is of course another downside, an overly rampant imagination can completely change tracts, starting a whole new story when your only part way through the current one. This does happen frequently, and usually coincides with me losing the will to write. You put all that effort in, and lose the zone for that story, it’s a terrible thing, you’re not interest in the new scene unfolding – or rather not interested in writing. I have to find a way back to the original imaginary story, if I want to continue. That’s one of the things I had to learn during NaNoWriMo last year.

Most of the time, me and the left side of brain are usually on excellent terms, feeding things between us. Living the ideal life, the scary life, the exciting life, the romantic life, and the mysterious life.

The final great thing is I find it wasy to roll into an imaginary story details from research and such.I’m a sponge for information, and I can squeeze me out and spread them over my stories. So if I’ve read something about a theoretical form of space travel, and find myself in need of a mechanism to travel through space, (in my story, if only I could craft the real world as easily as my story ones), I draw through the details, and give my world a touch of realism that sets it shooting for wherever it needs to go.

My imagination is my most treasured asset as a writer, were I to lose that, were I to go in life without that – I honestly would rather be dead.

Music to Write To

I’m always on a quest for the perfect playlist to write to – but damn it the writing music keeps changing.

I love poetry and writing, and their sibling the song is no different (storytelling is the parent to me), they’re all capable of evoking something within us. Sometimes they evoke the writer within, helping to unlock my core creativity.

I find that what music I’m listening to affects what I’m writing, I noticed this during last year’s NaNoWriMo, I was in one of those places where I was banging out a few hundred words an hour, and actually progressing towards target. When I read back over my words, there was a pattern, I’d had Pachelbel’s Canon in D on repeat, (equally a crap and great piece of music in one – perfect writing music though),  my writing had taken on that structure, from number of words per sentence,  to roughly where the capitals were placed, and as I read it through, you could kind of feel Canon behind it. You have to be careful though, I would imagine if you’re half way through  a 75,000 word novel, and feel of the writing suddenly changes, that’s going to make it seem disjointed.

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Sometimes It’s Good To Worry, Reminds You of the Important Things in Life

I’ve just been on a glorious walk, went on to Primrose Valley in Leeds. Ever since I was a child, it’s been a magical place. Even now, despite the efforts of the council to tame it – it’s still magical.

That said, I was puzzled to find: 

Now, I’ve lived in this area (on one side of Primrose Valley or t’other), for about twenty years. In all that time there were rumours about the council wanting to build houses on there, however there has always been strong local opposition to this.

The council went as far as to stop maintaining it (or so it seemed, I’m sure they would say otherwise).

So when I saw that sign, what first came to mind was bulldozers raking over my childhood memories, memories of football, rugby, laser tag, even school (I went to Crossgates Primary School – for my sins), and other childhood hi jinx. It’s a terrifying thought.

You may be asking what’s this got to do with poetry, or literature, technically it doesn’t much. It’s one of the places I used to write though,  and a place I’ve written about plenty of times. It’s somewhere special to me. I’m going to re-post one of those special stories at the end of this post.

Anyway, back to the point (yes I digressed, and that’s the subject of my latest poem), it turns out, I don’t need to be worried.  I put on my detective’s hat, and tracked down what was going on – despite English Partnerships being co-opted by Homes & Communities Agency, they appear to planning some kind of restoration and care work on the fields. Okay, yes I spent about three hours working all this out, but most of the documentation is from 2006, it’s just taken that long for bureaucracy to kick in and do something.

There’s very little on the Leeds City Council website about it – but I guess it’s been so long since it was announced it’s just slipped well down the relevant  results.

It makes me happy that it’s safe, makes me happy that one of my childhood memories remains intact, even as others vanish and warp out of recognition.

I mentioned before that I have an idea for a new poem – I’m going to be writing it there, in good old fashioned ink and paper. Though, as a matter of respect  for the maintenance and improvement of my beloved valley, I’m going to obey that sign (if I’d found out  that they building on there, I would have happily risked being arrested in protest).

If you’d like to see some more photo’s of my walk out across Primrose Valley, follow this link to more, including Bailey, our three year Yorkshire Terrier, oh and me (I’m the one with the ginger goatee, and bandana on – he’s the silver haired little dog, trust me)  - Primrose valley with Bailey – May 09

Anyway, as promised here’s one of my old stories, written back in December 2003 (I’d like to think I’ve improved as a writer since then – however it’s a story that means something, so I don’t mind exposing it):

Oh and I won’t bore you with the real history of Primrose Valley just yet – I’ll save that for another time.

A Journey into an Old Land

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